rollerdisco

“Capturing Resonance” By Soo Sunny Park and Spencer Topel

In their first collaboration, sculptor Soo Sunny Park and sound artist and composer Spencer Topel have transformed deCordova’s Window Gallery into a multi-sensory environment. In Capturing Resonance, the eighth project in the PLATFORM series, Park and Topel have composed a large-scale installation that utilizes the intense natural light in the gallery with the flow of museum visitors through this transitional space to create an ever-changing sculptural soundscape. Park is best known for using quotidian building materials such as insulation, dry wall, and mesh screens to create experiential installations that rely on repetition and the interplay of light and materials to sublime effect. For Capturing Resonance, Park has similarly transformed a ubiquitous and obdurate material – chain link fencing – into something transcendent. By affixing thousands of iridescent acrylic Plexiglas squares into chain link cells, Park created a sprawling, undulating structure that transmits, reflects, and refracts both the natural and artificial light into the gallery. Hanging from the third floor ceiling, Capturing Resonance fills the narrow space. The cascading, interlocking convex and concave Plexi and chain link fence units appear as biomorphic forms, overwhelming the field of vision of each visitor as they enter the gallery. Depending on the time of day, rainbow hued shadows fill the space, shifting from crisp representations of the structure to abstract color washes with the path of the sun. In Capturing Resonance, shifting light becomes a sculptural material and a symbol of transient physical and psychological states.

Welcome to Myrtle Manor

Welcome to Myrtle Manor

STEPHEN BURROWS in VERSAILLES ’73: AMERICAN RUNWAY REVOLUTION. 
The event started as a fundraiser orchestrated by fashion publicist Eleanor Lambert to raise money to restore the Palace of Versailles but became a fierce competition.   The extraordinary evening left an unforgettable imprint on the fashion industry and forever changed fashion history.  America with great clothes and a color barrier-breaking collective of Black models who sashayed down the runway, won over the crowd and secured American fashion’s place on the world stage.
May 16- Film Screening and Panel Discussion at The Museum of the City of New York in conjunction with Stephen Burrows: When Fashion Danced exhibition.

STEPHEN BURROWS in VERSAILLES ’73: AMERICAN RUNWAY REVOLUTION

The event started as a fundraiser orchestrated by fashion publicist Eleanor Lambert to raise money to restore the Palace of Versailles but became a fierce competition.   The extraordinary evening left an unforgettable imprint on the fashion industry and forever changed fashion history.  America with great clothes and a color barrier-breaking collective of Black models who sashayed down the runway, won over the crowd and secured American fashion’s place on the world stage.

May 16- Film Screening and Panel Discussion at The Museum of the City of New York in conjunction with Stephen Burrows: When Fashion Danced exhibition.

Antique Print Metals: Gold Silver Platinum Mercury Copper Tin Lead 1920s Mineral Geology at CarambasVintage 

Antique Print Metals: Gold Silver Platinum Mercury Copper Tin Lead 1920s Mineral Geology at CarambasVintage 

the carnival is over 

spellbound

freedom by kathleen daniel

Everyone on the planet who is aware of the tragic events ten years ago today has in some way acknowledged this anniversary. As with anything so charged, there are extremes–on one end we have pious and patriotic outpourings, while at the other end of the spectrum it’s an opportunity to decry conspiracies of the military-industrial complex.
Those mystically-inclined among us would suggest stepping back from either extreme and using this anniversary as a chance to probe the collective consciousness that surrounds this event in the hazy boundaries between past, present and future.
Visionary artist Alex Grey provides the perfect entrance. His 1989 painting, “Gaia,” depicts the twin towers amid two ominously hovering airplanes on the dark side of a light/dark contrast.
Written by Ben Cook

Everyone on the planet who is aware of the tragic events ten years ago today has in some way acknowledged this anniversary. As with anything so charged, there are extremes–on one end we have pious and patriotic outpourings, while at the other end of the spectrum it’s an opportunity to decry conspiracies of the military-industrial complex.

Those mystically-inclined among us would suggest stepping back from either extreme and using this anniversary as a chance to probe the collective consciousness that surrounds this event in the hazy boundaries between past, present and future.

Visionary artist Alex Grey provides the perfect entrance. His 1989 painting, “Gaia,” depicts the twin towers amid two ominously hovering airplanes on the dark side of a light/dark contrast.

Written by Ben Cook